Jeffrey Rothstein trained in fashion photography as an
assistant to Richard Avedon, Bruce Weber, Kei Ogata and Dominique Issermann.
His first professional assignment was photographing Jean-Paul Gaultier in his
Paris studio as he documented the creation of his collections. He then went on
to work for Condé Nast, shooting from the streets of NY and Paris, to the
beaches of the Caribbean. His fine art photography is on display in a number of
major public buildings, is held in private collections and has also been
featured in numerous films and television series.
ishotkatemoss was interested in how Jeffrey would
approach kate as there seemed to be a constant sexual dialogue running through
his art, even the over-stylized, hyper-saturated images he creates from
landscapes and nature are rich in overtones …
Jeffrey Rothstein (JR): My work has always been covertly or overtly about sex, sexuality and
all things sensual - whether it be luxe vivid colors or directly in my
pixilated erotica work. Humans are sexual creatures and a great deal of art and
20th Century photographer has been an expression of sex in some form or
another.
iskm: How do you feel your approach to photography/art making affected your submission to ishotkatemoss?
iskm: How do you feel your approach to photography/art making affected your submission to ishotkatemoss?
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| St Barts from Rothstein's 'Pixilated Nudes' series |
I've
had a Tumblr account for 4 years now and wanted to see how to riff, visually
sample imagery into new thoughts and even make little jokes. The new series I
am creating use my own iphone images with found, public domain, appropriated
images and digital images that are all over the interwebs. By doing so, I want
to make fun of the serious "ART" world and appropriate the
appropriators. Plus there is a huge sexual component and library of images, which goes back to comic books, earlier porn and imagery that has been around
for seemingly ever.
Here is Jeffrey’s submission that has just been added to the www.ishotkatemoss.com collage:
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| Jeffrey Rothstein's Desire has its costs, 2014 |
iskm: Can you explain your approach to kate, what
you are doing and why?
JR:
There are too many iconic Kate fotos - I wanted to more make a collage, an
impression of The Kate (from here on in she will be addressed as "The
Kate") - that is sexy, carnal, distant but edible - perhaps secret or not
too secret desires we all have towards her. Fashion is about selling sex ...
she has been "the brand" that brands go to and for, for decades. The
Kate is a assemblage of many impressions over time, images we have of her and
the culture ... one is not enough of The Kate but like Chinese food you want
more of her in 45mins. The Kate is a cipher, an impression of a woman, of a
particular kind of sexuality that can and wants to be dominant and dominated at
the same time but is unattainable.
iskm: How/why did you select the source image/s
that you did?
JR:
Random interwebs searches and knowledge of Kate as a phenom since she was but a
wee babe in the woods. The non-Kate images in my collage are from the the net - some are very retro and from the 80's, others are Tumblr porn.
iskm: You are the first male who iskm is featuring
to specifically look at the idea of sexual identity with, and through, kate. From
a man’s perspective, do you have a take on why she has been positioned,
photographed, represented and/or used as such a sexual being and presence in
this way?
JR:
Oh, where to begin. This is this the basis of a post-doc thesis. But to
summarize as best I can given the limited horsepower I have under my hood ... Fashion
is about desire - the desire to own, to have, to covet that which is almost
unattainable - that expensive Hermes scarf, the LV bag, the Gucci shoes. They are
all affordable to some degree to the general public. These businesses, such as LVMH and
Prada, want you to own their stuff but want you to feel special in the act
of buying it. The Kate is the high priced call girl that makes you feel like
you are the only one and when you pull the trigger, make the purchase, it's the
big orgasm.
iskm: What is it about her?
JR:
The Kate is a very odd and unusual aspect of our current global culture. Tied
to and created by the fashion world she has transcended and transformed in to a
cultural touch stone in the same way perhaps as Jane Birkin did in the 60's
though without the inherit musical talent and famous boyfriend - I don't think
Pete Doherty is comparable to Serge Gainsbourg. Nor does she have the posh
English pedigree that Birkin has but nevertheless The Kate is more than a
Hermes handbag. The Kate is ambiguous, almost neutral in a way that anyone can
imprint their own desire and fantasy on her; which is I believe is the trick to
her longevity. The Kate is a blank sheet. The Sphinx of the fashion world.
iskm: Which photographer/s would you most want to
most see involved in ishotkatemoss?
JR:
My thoughts about a direction … The Kate is beyond but yet inexorably linked to
Fashion and it's odd, strange components. I'd say an artist who is good at
reiterating culture and making some thing new of it. The Kate is like a new
car you get every year: This Year's Model is a little different but all the same
in a comforting way. I'd suggest Murakami. The Kate all is a "brand"
regardless of who uses her. I can see murals and sculptures of her in a very playful
way.
iskm: Thanks Jeffrey! I am now dreaming of having Murakami
join us by creating an iskm handbag. I think that being able to buy a knock-off on Canal St. for $5 would be iskm’s crowning achievement!
JR: My
pleasure. Creating something specifically with The Kate was easy fun,
enjoyable, and spontaneous.
Jeffrey’s work can be seen at www.jeffreyrothstein.com
and he has just joined the
Kasher/Potamkin gallery so keep an eye out for his upcoming exhibitions there …
maybe The Kate will be featured?
Observe. Slow Down. Shoot. Submit.
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