Sunday, November 8, 2015

Photographer Series #24: jenshotkatemoss


About 6 weeks ago, ishotkatemoss featured kate inspiredculinary delights proving the point that ‘plenty tastes as good as skinny feels’!

Through this exploration, we stumbled upon the work of Jen Allanson, for whom we sent hungry eyes, as we looked longingly towards a berry dessert. Upon further exploration, we found that there was a great deal more that met the eyes, and stomach.

Jen Allanson runs a training and development business in Liverpool, UK. When she is not doing that, she heads to her studio in an old dock warehouse, which she shares with more than 20 artists, and creates a wide variety of drawings, prints, assemblages … in between taking photographs and also creating political and societal commentaries, captured under her catch-all of ‘Blah’.

Jen told me that once she was likened “… to a puppy seen, constantly stopping to sniff and look at everything. I am excitable, a little unruly and largely unmanageable. Well, we liked what she was managing to do in her unmanageable way in the 'Kate Moss Eyes on Food' project and thought it was worth delving into Jen’s practice and ideas …
 
iskm: How would you describe your art work?
Jen Allanson (JA): I make art to help me make sense of the world. It’s a mirror. So, I’d probably describe my artwork as autobiographical in that its most often this is what I saw, this is how I felt, this is what this is means. In the case of the 'Kate Moss Eyes on Food' series of collages it was simply this is something that made me laugh.

Jen's first 'Kate Moss Eyes on Food' collage

iskm: Why food? Why kate moss?
JA: The first 'Kate Moss Eyes on Food' collage was an accident. I was in a business hotel in a Northern UK town cutting up a glossy magazine while watching tv. In the paper-cut chaos that ensued Kate Moss’s eyes ended up on a picture of some stuffed mushrooms. It made me laugh. I could still recognise her even when she was just eyes on food. I scanned it and sent it to a couple of friends who thought it was funny too. So I made a series, posting them to a Tumblr gallery (beginning May 2014) and sharing them with friends via social media.

iskm: How did people react?
JA: I got a great response. People sent me more pictures of Kate Moss through the post (all the collages are physical, cut paper collages). I searched ebay and bought clippings and collected magazine pages. I hadn’t realised there were people out there who collect and sell clippings of celebrities.

iskm: And where did you get your food images? Are they all locally sourced?
JA: The food pictures came from all sorts of places - food magazines, photography magazines, old cookery books.
iskm: How many collages did you create?
JA: I made around 60 collages over the course of a couple of months. 46 made it onto the site, the others I haven’t fallen in love with yet (I may never). I continued making them until I ran out of steam and something else captured my attention (collecting shopping lists from supermarket trolleys, to be honest).

iskm: We also spotted that you also used kate’s eyes on non-food images, such as the picture of the horse. Was this something you began exploring beyond the plate?
JA: The horse picture came from a vintage copy of Paris Match. Horse meat is eaten widely in France and there had been a recent ‘horse meat in our beef’ scandal in the UK. It’s bizarre where we draw the line between food and friend, so arbitrary.

iskm: Do you see this work as being a broader social commentary?
JA: I can’t pretend 'Kate Moss Eyes on Food' is a serious (or even semi-serious) art project. So there really aren’t any sensible answers to any ‘Why?’ questions related to Kate Moss Eyes on Food. I think it would be disingenuous of me to make some up. I was just the conduit through which this particular idea passed. I’m just the medium. The message is whatever you choose ;-)
 
iskm: When we found your work on Tumblr, the latest post was from January 1st, 2015. Did you stop making pieces for the series?
JA: It’s funny, but at the time I was making the collages Kate wasn’t much in the press/media. She’s had a renaissance in the glossies, but my interest in the project has waned now, so I just spot her on the magazine stand and think ‘Ah, of only that had been out when I was scouring the world for pictures to cut her eyes from!’ … I still have a stash of Kate’s paper eyes, so I may make more in the future, if the mood takes me. 


iskm: Yet the last time we visited the tumblr site, we saw two recently added images. Are you continuing the project?
JA: The new collages have certainly been sparked by my going back to visit this project at your prompting. So yes, there may be a few more to come …

iskm: Which photographers/artists would you most want to most see involved in ishotkatemoss? 
JA: Probably David Shrigley. His work is irreverent and funny. It serves as a reminder that life, and art, shouldn’t be taken too seriously. 

More of Jen’s enjoyable work can be seen at: www.jenallanson.com and, in addition to her collages being added to the ishotkatemoss collage, you can see the 'Kate Moss Eyes on Food' series at katemosseyesonfood.tumblr.com

Going to go get a bite to eat now …
Observe. Slow Down. Shoot. Submit.

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